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	<title>no weapon &#187; Products</title>
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	<description>do it again!</description>
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		<title>Beaver — Living with Women and Cars</title>
		<link>http://noweapon.org/product/beaver-living-with-women-and-cars</link>
		<comments>http://noweapon.org/product/beaver-living-with-women-and-cars#comments</comments>
		<pubDate>Mon, 31 Oct 2011 05:00:19 +0000</pubDate>
		<dc:creator>collis</dc:creator>
		
		<guid isPermaLink="false">http://noweapon.org/?post_type=product&#038;p=103</guid>
		<description><![CDATA[This album documents an epoque in the life of Montreal artist and party personality commonly known as &#8220;Beaver,&#8221; who is [...]]]></description>
				<content:encoded><![CDATA[<p>This album documents an epoque in the life of Montreal artist and party personality commonly known as &#8220;Beaver,&#8221; who is a veritable renaissance man. The epoque is one where he had lived above Cinema L&#8217;amour; currently a porn theatre but also famous for being the site of Harry Houdini&#8217;s last show, where he was dealt the deadly blow that ultimately killed him. Here he [Beaver, not Houdini] improvised a lot of music to 4-track, many of which eventually became tunes that are recognized by attendees of the hundreds of shows he has played. <!-- The "epoque" rudely ended when Turkish gangsters held him at knife-point in his living room and insisted that he stop his competition with their commerce [I'll let you make assumptions here], and he came to crash for a while in my 1-room apartment before heading back to NewFoundLand for a while. --></p>
<p>During this time I had been dumping the 4-tracks to computer, mastering them, recording on top, and had a bunch of sessions where Beaver came over and showed one of his other many arts, cooking. Even when the fridge &amp; cupboard looked pretty empty we ate like kings then continued to &#8220;super-produce&#8221; the shit out of the thing. Many months later we were pretty close to finishing the record, but life kept going at such a pace that it took around 3 years to completely finish the album you now hear. I believe this will come to be known as one of Beaver&#8217;s [many] masterpieces.</p>
<p><iframe width="100%" height="450" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F2282225&amp;color=038FA8&amp;auto_play=false&amp;show_playcount=false&amp;show_artwork=true"></iframe><br />
<span><a href="http://soundcloud.com/noweapon/sets/beaver-living-women-cars">Beaver &#8211; Living with Women and Cars</a> on <a href="http://soundcloud.com/noweapon/sets">NOWEAPON</a></span></p>
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		<title>Enfant Magique — L’art d’enfiler les pearls</title>
		<link>http://noweapon.org/product/enfant-magique-l-art-d-enfiler-les-pearls</link>
		<comments>http://noweapon.org/product/enfant-magique-l-art-d-enfiler-les-pearls#comments</comments>
		<pubDate>Mon, 31 Oct 2011 04:52:30 +0000</pubDate>
		<dc:creator>collis</dc:creator>
		
		<guid isPermaLink="false">http://noweapon.org/?post_type=product&#038;p=150</guid>
		<description><![CDATA[This second solo album and first vinyl release from Eric Gingras is just plain awesome. Such a strange but somehow [...]]]></description>
				<content:encoded><![CDATA[<p>This second solo album and first vinyl release from Eric Gingras is just plain awesome. Such a strange but somehow totally coherent mix of folk, pop, prog, ambient, post-jazz, somewhere between 1970 and 2020.</p>
<p>A second album for his second daughter. Beautiful.</p>
<p>Check out <a href="http://noweapon.org/enfant-magique-lart-denfiler-les-pearls">full lyrics and listen here</a>.</p>
<p><iframe width="100%" height="480" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F2265275&amp;show_playcount=false&amp;color=038FA8"></iframe></p>
<p><span><a href="http://soundcloud.com/noweapon/sets/enfant-magique-enfants-magiques">Enfant Magique &#8211; L&#8217;art d&#8217;enfiler les pearls</a> by <a href="http://soundcloud.com/noweapon/sets">NOWEAPON</a></span></p>
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		<title>Heart + Soul &#8211; 12&#8243; white label</title>
		<link>http://noweapon.org/product/heart-soul-12-white-label</link>
		<comments>http://noweapon.org/product/heart-soul-12-white-label#comments</comments>
		<pubDate>Wed, 01 Mar 2006 19:06:06 +0000</pubDate>
		<dc:creator>collis</dc:creator>
		
		<guid isPermaLink="false">http://noweapon.org/?post_type=product&#038;p=154</guid>
		<description><![CDATA[This is the first Heart + Soul track ever recorded, and it sure did hit the spot! Equally faithful to [...]]]></description>
				<content:encoded><![CDATA[<p>This is the first Heart + Soul track ever recorded, and it sure did hit the spot! Equally faithful to its UR techno inspiration and Montreal indie-weirdo reality. This track was later released on <a href="http://www.notype.com/drones/catalogue.e/panospria/">Panospria</a> as &#8220;Planet Nebula&#8221; on the <a href="http://www.notype.com/drones/cat.e/pan_021/">Cosmic Signals</a> ep.</p>
<p>The B side is a 20-minute synthesizer workout by Collis Browne, recorded in 2 sessions to 8-track analog tape using the &#8220;blind-multi&#8221; method. In this method we start with a first cut [in this case the original H&amp;S track], and repeatedly overdub different parts without hearing them together. The result is like a controlled <a href="http://en.wikipedia.org/wiki/File:Codex_ephremi.jpg">palimpsest</a>, but since all tracks are related equally to the original, the result still has a musical uniformity. This is opposed to the &#8220;blind-chinese&#8221; method, where each track is recorded while listening only to the previous version, so that the result has a deconstruction where, like in the Chinese Whispers game where it gets its name [aka broken telephone], the later tracks have less and less direct relation to the original.</p>
<p>Oh yeah, and it sounds great too.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F28001984&amp;show_comments=true&amp;auto_play=false&amp;color=038FA8" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F28001984&amp;show_comments=true&amp;auto_play=false&amp;color=038FA8" allowscriptaccess="always" /></object></p>
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		<title>Jingo Brown &#8211; Misfed clear 7&#8243; flexidisc</title>
		<link>http://noweapon.org/product/jingo-brown-misfed-clear-7-flexidisc</link>
		<comments>http://noweapon.org/product/jingo-brown-misfed-clear-7-flexidisc#comments</comments>
		<pubDate>Mon, 31 Oct 2011 03:58:26 +0000</pubDate>
		<dc:creator>collis</dc:creator>
		
		<guid isPermaLink="false">http://noweapon.org/?post_type=product&#038;p=153</guid>
		<description><![CDATA[6 best Misfits tunes rapid-recorded in 3 hours with hammond church-basement-style organ and voice, very unique and super-catchy. Organ gets [...]]]></description>
				<content:encoded><![CDATA[<p>6 best Misfits tunes rapid-recorded in 3 hours with hammond church-basement-style organ and voice, very unique and super-catchy. Organ gets more cranky and noisy over the recording session so the result is very lo-fi charm, and the somewhat erodable flexidisc is the perfect format to compliment the concept.</p>
<p>This is a rare Collis Browne solo effort. AND, even more rare legal clearance was purchased from Danzig himself [via various music industry bureaucracy].</p>
]]></content:encoded>
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		<item>
		<title>WHY NOT YOU be among these happy dancers?</title>
		<link>http://noweapon.org/product/why-not-you-be-among-these-happy-dancers-10</link>
		<comments>http://noweapon.org/product/why-not-you-be-among-these-happy-dancers-10#comments</comments>
		<pubDate>Sat, 11 Feb 2006 19:06:58 +0000</pubDate>
		<dc:creator>collis</dc:creator>
		
		<guid isPermaLink="false">http://noweapon.org/?post_type=product&#038;p=155</guid>
		<description><![CDATA[Among the strangest records we&#8217;ve made [or heard for that matter]. Fundamentally, a clarinet + saxophone duet album by Simon [...]]]></description>
				<content:encoded><![CDATA[<p>Among the strangest records we&#8217;ve made [or heard for that matter]. Fundamentally, a clarinet + saxophone duet album by <a href="http://www.myspace.com/simoncalledpetermusic">Simon Called Peter</a> and Collis Browne, but has so many other different elements, recording techniques, moods and melodies that it is a bit hard to explain. Some examples of reactions:</p>
<ul>
<li>a review for the Montreal Mirror: &#8220;Local sax and clarinet players Simon Bélair and Colin Vernon (members of Rivers and Mountains and the Natacha Recordings Sound System) have created a minimal, fragmented, fluttering 10-inch record, with warped moments evoking a broken music box submerged in water. It’s just begging for “experimental” film accompaniment—I’m picturing a loop of a man in a straightjacket and a pacing guard who drops a handful of tacks on the floor, slo-mo close-up on those tacks and the man’s horrified reaction. My cat was fascinated.&#8221;</li>
<li>a group of people hanging out at home smoke too much of a huge &#8220;cigar&#8221; [hint hint], this record is put on and everyone is eventually dragged down into a mute bad-trip. Nice.</li>
</ul>
<p>The words &#8220;not for everyone&#8221; might describe this but it is a super great and unique work.</p>
<p>This was a split release between noweapon &amp; <a href="http://neverprint.com/natacha/">Natacha&#8217;s recordings</a>, who have since taken their site offline and mysteriously removed mention of a number of artists &amp; contributors involved. Pas grave.</p>
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